#FactCheck: Viral AI image shown as AI -171 caught fire after collision
Executive Summary:
A dramatic image circulating online, showing a Boeing 787 of Air India engulfed in flames after crashing into a building in Ahmedabad, is not a genuine photograph from the incident. Our research has confirmed it was created using artificial intelligence.
Claim:
Social media posts and forwarded messages allege that the image shows the actual crash of Air India Flight AI‑171 near Ahmedabad airport on June 12, 2025.
Fact Check:
In our research to validate the authenticity of the viral image, we conducted a reverse image search and analyzed it using AI-detection tools like Hive Moderation. The image showed clear signs of manipulation, distorted details, and inconsistent lighting. Hive Moderation flagged it as “Likely AI-generated”, confirming it was synthetically created and not a real photograph.
In contrast, verified visuals and information about the Air India Flight AI-171 crash have been published by credible news agencies like The Indian Express and Hindustan Times, confirmed by the aviation authorities. Authentic reports include on-ground video footage and official statements, none of which feature the viral image. This confirms that the circulating photo is unrelated to the actual incident.
Conclusion:
The viral photograph is a fabrication, created by AI, not a real depiction of the Ahmedabad crash. It does not represent factual visuals from the tragedy. It’s essential to rely on verified images from credible news agencies and official investigation reports when discussing such sensitive events.
- Claim: An Air India Boeing aircraft crashed into a building near Ahmedabad airport
- Claimed On: Social Media
- Fact Check: False and Misleading
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Introduction
Artificial Intelligence (AI) is fast transforming our future in the digital world, transforming healthcare, finance, education, and cybersecurity. But alongside this technology, bad actors are also weaponising it. More and more, state-sponsored cyber actors are misusing AI tools such as ChatGPT and other generative models to automate disinformation, enable cyberattacks, and speed up social engineering operations. This write-up explores why and how AI, in the form of large language models (LLMs), is being exploited in cyber operations associated with adversarial states, and the necessity for international vigilance, regulation, and AI safety guidelines.
The Shift: AI as a Cyber Weapon
State-sponsored threat actors are misusing tools such as ChatGPT to turbocharge their cyber arsenal.
- Phishing Campaigns using AI- Generative AI allows for highly convincing and grammatically correct phishing emails. Unlike the shoddily written scams of yesteryears, these AI-based messages are tailored according to the victim's location, language, and professional background, increasing the attack success rate considerably. Example: It has recently been reported by OpenAI and Microsoft that Russian and North Korean APTs have employed LLMs to create customised phishing baits and malware obfuscation notes.
- Malware Obfuscation and Script Generation- Big Language Models (LLMs) such as ChatGPT may be used by cyber attackers to help write, debug, and camouflage malicious scripts. While the majority of AI instruments contain safety mechanisms to guard against abuse, threat actors often exploit "jailbreaking" to evade these protections. Once such constraints are lifted, the model can be utilised to develop polymorphic malware that alters its code composition to avoid detection. It can also be used to obfuscate PowerShell or Python scripts to render them difficult for conventional antivirus software to identify. Also, LLMs have been employed to propose techniques for backdoor installation, additional facilitating stealthy access to hijacked systems.
- Disinformation and Narrative Manipulation
State-sponsored cyber actors are increasingly employing AI to scale up and automate disinformation operations, especially on election, protest, and geopolitical dispute days. With LLMs' assistance, these actors can create massive amounts of ersatz news stories, deepfake interview transcripts, imitation social media posts, and bogus public remarks on online forums and petitions. The localisation of content makes this strategy especially perilous, as messages are written with cultural and linguistic specificity, making them credible and more difficult to detect. The ultimate aim is to seed societal unrest, manipulate public sentiments, and erode faith in democratic institutions.
Disrupting Malicious Uses of AI – OpenAI Report (June 2025)
OpenAI released a comprehensive threat intelligence report called "Disrupting Malicious Uses of AI" and the “Staying ahead of threat actors in the age of AI”, which outlined how state-affiliated actors had been testing and misusing its language models for malicious intent. The report named few advanced persistent threat (APT) groups, each attributed to particular nation-states. OpenAI highlighted that the threat actors used the models mostly for enhancing linguistic quality, generating social engineering content, and expanding operations. Significantly, the report mentioned that the tools were not utilized to produce malware, but rather to support preparatory and communicative phases of larger cyber operations.
AI Jailbreaking: Dodging Safety Measures
One of the largest worries is how malicious users can "jailbreak" AI models, misleading them into generating banned content using adversarial input. Some methods employed are:
- Roleplay: Simulating the AI being a professional criminal advisor
- Obfuscation: Concealing requests with code or jargon
- Language Switching: Proposing sensitive inquiries in less frequently moderated languages
- Prompt Injection: Lacing dangerous requests within innocent-appearing questions
These methods have enabled attackers to bypass moderation tools, transforming otherwise moral tools into cybercrime instruments.
Conclusion
As AI generations evolve and become more accessible, its application by state-sponsored cyber actors is unprecedentedly threatening global cybersecurity. The distinction between nation-state intelligence collection and cybercrime is eroding, with AI serving as a multiplier of adversarial campaigns. AI tools such as ChatGPT, which were created for benevolent purposes, can be targeted to multiply phishing, propaganda, and social engineering attacks. The cross-border governance, ethical development practices, and cyber hygiene practices need to be encouraged. AI needs to be shaped not only by innovation but by responsibility.
References
- https://www.microsoft.com/en-us/security/blog/2024/02/14/staying-ahead-of-threat-actors-in-the-age-of-ai/
- https://www.bankinfosecurity.com/openais-chatgpt-hit-nation-state-hackers-a-28640
- https://oecd.ai/en/incidents/2025-06-13-b5e9
- https://www.microsoft.com/en-us/security/security-insider/meet-the-experts/emerging-AI-tactics-in-use-by-threat-actors
- https://www.wired.com/story/youre-not-ready-for-ai-hacker-agents/
- https://www.cert-in.org.in/PDF/Digital_Threat_Report_2024.pdf
- https://cdn.openai.com/threat-intelligence-reports/5f73af09-a3a3-4a55-992e-069237681620/disrupting-malicious-uses-of-ai-june-2025.pdf
Introduction
In May 2025, at Mumbai’s first-ever World Audio Visual and Entertainment Summit (WAVES), PM Narendra Modi marked a turning point: the rise of what he called India's Orange Economy. Here lies a new path to growth - one built less on factories, more on invention, artistry, and spreading thought globally. While aiming for massive economic scale, India finds its creative industries movies, sound, games, cartoons, clothing design, books, online media stepping forward.
First appearing in a 2013 guide from the Inter-American Development Bank, the phrase 'orange economy' emerged through work by Felipe Buitrago Restrepo and Iván Duque Márquez, suggesting past neglect in defining how culture connects with economic activity. Because orange stands for imagination and heritage in many societies, it became the label for this particular sector of economic life..
According to UNESCO’s 2022 Global Report Reshaping Policies for Creativity, the cultural and creative sectors account for 3.1% of world GDP and employ 6.2% of the global workforce – more than the total number of people employed in car manufacturing in Europe, Japan and the U.S. Meanwhile, UNCTAD's 2024 Creative Economy Outlook shows cross-border trade in creative services hit $1.4 trillion in 2022, up nearly a third from five years ago, demonstrating how imagination is remaking modern commerce.
In his book The Creative Economy, economist John Howkins states that the creative economy is essentially about the relationship between creativity and economics, where ideas themselves are products, and imagination becomes a form of capital.
India’s Slice of Orange
The Scale of Opportunity
Despite its potential, India’s role in the global creative economy remains largely untapped. According to the FICCI-EY Media and Entertainment Report, the country’s media and entertainment sector ranks among the world’s most rapidly expanding, fueled by a youthful demographic that is increasingly online and earning more. Boasting over 600 million people using the internet, it hosts a vibrant network of creators - musicians in Guwahati, podcasters in Kochi, game developers in Bengaluru, filmmakers in Punjab - who together form a rich pool of talent unlike any other.
Now comes a shift at the WAVES Summit, where PM Modi framed content, creativity, and culture as core to an emerging economy. Not just products but ideas take center stage here, he suggested, during what he described as the ideal time to build from India for global impact. While earlier efforts pushed factory output under Make in India, this approach turned toward thinking work - where stories, visual forms, and online expression shape progress. Thought becomes product; imagination fuels industry.
Creative Industries Leading Change
What many people don’t know is that India makes more films than any other country. The films made in Tamil, Telugu, Malayalam or Kannada are also widely circulated outside India, not just the output of Mumbai. Streaming services such as Netflix and Amazon Prime carry these works, reaching far beyond local audiences. Furthermore, India’s gaming industry is nascent but growing rapidly, and is attracting increasing attention from policy makers. Until recently, studios around the world have not relied on Indian teams for animation and visual effects. Now, local creators are slowly building their own game franchises. Momentum is shifting - original ideas once rare now appear more often across the country. Deep within India’s craft traditions handwoven textiles, carved block patterns, intricate metallic threadwork lies a quiet fusion of legacy and modern expression. Viewed anew through the framework of creative enterprise, such practices reveal dual value: access to global markets alongside sustenance for village-based makers. Rather than mere relics, they function as living systems where art meets income. Changes in perception make them economic opportunities, rather than local crafts. Every stitch, every weave, is not just technique but the weight of continuity in the face of change. And today, streaming platforms allow independent musicians in India to connect directly to listeners worldwide.
The Three T’s: Technology Talent Tolerance
Richard Florida, an economist, in his work The Rise of the Creative Class once proposed a model where city progress ties closely to innovation, skilled individuals, and openness. His idea - crafted originally for U.S. urban areas fits well when viewing India today. Growth now depends less on old industries, more on environments that attract capable minds through flexibility. Regions thrive not just by building tech hubs but by welcoming diverse lifestyles. One factor feeds another: talent flows where freedom exists, ideas grow where tools are available. A place gains momentum only if it supports all three at once.
Technology
A tool opens doors. Low-cost internet, budget phones, together with government-backed digital expansion, made making content possible for nearly anyone. The focus should be on accessibility and last mile delivery.
Talent
Home to the youngest population on Earth, it sees countless imaginative minds emerge yearly from schools that now encourage original thinking. Still, despite rising worldwide interest in what these individuals produce, many cannot cover basic needs - a gap highlighted by UNESCO’s 2022 findings. But this contradiction lacks for systems that ensure fair pay, protect ideas, and offer stability beyond fleeting projects.
Tolerance
Openness to difference, trial, and unusual thinking shapes the trickier part of the equation. The wide mix of tongues, beliefs, and cultural expressions in India adds real value. Still, fostering innovation demands systems willing to adapt with rules safeguarding free expression, fair access for women in arts sectors, smoother paths for excluded groups.
Challenges on the Path to “Create in India”
India has millions of creators who influence culture but struggle to make a regular income from their work. Platforms take the lion’s share of profits, but those creating content, especially outside the big cities, often don’t have legal help, fair contracts or links with brands.
Another issue is Intellectual Property Literacy, IP rules such as copyright, trademark and patent systems empower the creative economy. Still, uneven understanding and spotty enforcement across India put many creators at risk of unfair use. Surprisingly, UNESCO’s 2022 assessment points to missing global standards for measuring creative sectors. Because of this gap, India faces challenges in shaping precise policy moves. Without detailed cultural satellite accounts, tracking progress remains uneven. Sector-specific figures would help fill these blind spots. Otherwise, decisions rely on incomplete information.Lastly, across the world, female professionals in artistic fields hold fewer top roles while earning less than men - a gap clearly seen in India too. To shape a fairer cultural sector, intentional strategies must elevate women, indigenous makers, and creators with disabilities.
Conclusion
In India, where young energy meets tradition through digital tools. Stories once shared locally now move across borders, carried by platforms that turn art into income. Because of this shift, music and fashion gain reach but only if creators can protect their work. Without fair pay or legal backing, even brilliant ideas fade quietly. Support systems matter, not just ambition. Recognition from society shapes whether fresh voices endure. In 2022, UNESCO’s report showed that although more people want to do creative work, those who create it still find it hard to make a living. New ideas offer a way forward, not to copy what exists, culture is then voice and value all at once.
References
- https://sprf.in/from-make-in-india-to-create-in-india-charting-indias-orange-economy-frontier/
- https://www.unesco.org/reports/reshaping-creativity/2022/en
- https://iasscore.in/current-affairs/indias-orange-economy
- https://indiasworld.in/the-dawn-of-indias-orange-economy/
- Marta-Christina Suciu, "The Creative Economy" (Academy of Economic Studies, Bucharest)
- John Howkins, The Creative Economy: How People Make Money from Ideas (2001)
- Richard Florida, The Rise of the Creative Class (2002)
- UNCTAD, Creative Economy Outlook 2024
- SPRF, "From Make in India to Create in India" (December 2025)
- IDB, The Orange Economy: An Infinite Opportunity (2013)
Executive Summary
A video featuring Bollywood actor Aamir Khan is being widely shared on social media. The video is being linked to his alleged third wedding with Gauri Spratt, with users claiming that both of his former wives, Reena Dutta and Kiran Rao, attended the ceremony. CyberPeace Research Wing research found the claim to be misleading. The viral video is not from Aamir Khan’s alleged third wedding. It is actually from the wedding celebrations of his daughter, Ira Khan, held two years ago. Furthermore, no credible media report confirms that Reena Dutta and Kiran Rao attended Aamir Khan’s alleged wedding with Gauri Spratt.
Claim
On July 5, 2026, an X (formerly Twitter) user shared the viral video with the caption: “At the age of 61, Aamir Khan got married for the third time and even invited his former wives to the wedding.” The post link, archive link, and screenshots are provided below.
https://x.com/anilyadavmedia1/status/2073728740048208226
Fact Check
To verify the claim, we extracted several keyframes from the viral video and performed a reverse image search using Google Lens. During the research, we found the same video uploaded on the YouTube channel Viral Bollywood on January 4, 2024. The visuals in that video matched the viral clip exactly. The post link and screenshots are provided below.
https://www.youtube.com/watch?v=yV39oUh-_tU
In the next stage of our research, we found another video published by Zoom on January 4, 2024. The visuals in this video also matched those seen in the viral clip. The post link and screenshots are provided below.
https://www.youtube.com/watch?v=c5Um5eB6kpM
We also looked into whether Reena Dutta and Kiran Rao attended Aamir Khan’s alleged third wedding. During this process, we found a report published by Aaj Tak, which stated that both of Aamir Khan’s former wives did not attend the alleged wedding ceremony. The post link and screenshots are provided below.
Conclusion
Our research found that the viral video is not from Aamir Khan’s alleged third wedding. It is an old video from the wedding celebrations of his daughter, Ira Khan, held in 2024. Moreover, there is no credible evidence or media report confirming that Reena Dutta and Kiran Rao attended Aamir Khan’s alleged wedding with Gauri Spratt. Therefore, the viral claim is misleading.
